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Ben Affleck opens up about his insecurity during the filming of the 2003 hit Daredevil, specifically regarding the complex fight choreography with co-star Jennifer Garner.
When Ben Affleck stepped into the suit of Matt Murdock for the 2003 film Daredevil, he was tasked with bringing the iconic Marvel vigilante to life. However, behind the scenes of the gritty superhero production, Affleck faced a significant personal hurdle: a deep-seated fear that the movie’s ambitious action choreography would make him look ridiculous rather than heroic.
In a candid retrospective for Variety, Ben Affleck reflected on his time as the Man Without Fear. While discussing the film’s production, he admitted that his primary concern during the intensive fight sequences was the potential for the final product to fall flat. Specifically, Affleck questioned whether the stylized action would reach the cinematic heights of hits like The Matrix, or if he would simply look like an amateur on screen.
I was kind of like, is this going to look like The Matrix or am I going to look like an idiot?
This internal pressure was compounded by the fact that he was sharing these physically demanding scenes with Jennifer Garner, who was already a seasoned professional in the realm of choreographed combat.
Jennifer Garner, who portrayed the deadly assassin Elektra Natchios, brought a wealth of experience to the set of Daredevil. Before joining the project, Garner had spent years performing complex stunts and fight sequences as Sydney Bristow on the hit spy series Alias. Her background provided her with a level of comfort and precision that proved invaluable during production.
While the film faced mixed reviews upon its release in 2003, the physical collaboration between the two leads remained a high point for the actors. By relying on Garner’s expertise and focusing on the rhythm of the action, Affleck was able to navigate the challenges of the role. For fans of the early 2000s superhero era, the film stands as a fascinating time capsule of how Hollywood was still learning to adapt the high-flying energy of comic books into practical, grounded stunt work.
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