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Kane Parsons reveals his unconventional vision for a potential Backrooms sequel, focusing on expanding the lore rather than a traditional narrative continuation.
If you have been wondering whether the unsettling, liminal void of the internet’s favorite horror phenomenon is returning to the silver screen, you are not alone. While a Backrooms sequel has not been officially confirmed, filmmaker Kane Parsons has opened up about how he would approach revisiting the project, prioritizing the authentic spirit of the lore over a traditional cinematic follow-up.
Parsons, whose transition from viral YouTube sensation to feature filmmaking has been nothing short of impressive, admits that he feels a pull to return to the world of the Backrooms to refine his vision. He isn’t interested in a linear expansion of the first film’s plot; instead, he views a potential sequel as a way to address elements that he feels missed the mark regarding the community’s established cultural core.
I consider it, me advancing and doubling down on the strengths that I think are more universally recognised about the core idea. Rather than doubling down on the things or points where it didn’t feel like it accurately spoke to the cultural core of Backrooms in the first film, there are a few little places here and there that I would personally go out of my way to poke at a little bit.
Rather than following a traditional storytelling structure, Parsons envisions his future projects in this space as an expanding image rather than a straight line. This approach suggests a more modular, anthology-style expansion of the lore that gives the audience more agency over how they consume the horror:
Practically speaking, the future of the franchise remains fluid. Parsons is currently deep in development on a project exclusive to YouTube, suggesting that any further exploration of the Backrooms might manifest in short-form content before we see another full-scale production. While he remains elusive about concrete plans, his focus on being subversive suggests that whenever he does return to the liminal space, it will likely challenge our expectations of how indie horror transitions into mainstream media.
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